For Cimmerian September I read Howard's Kull stories as I've read all of his Conan tales and most of his Soloman Kane tales.
Kull Exile of Atlantis (Random House, 2006) collects everything Robert E. Howard wrote about Kull, a barbarian from Atlantis that becomes king of Valusia during Howard’s fictional Thurian age. It includes the only three stories that were published in the author’s lifetime as well as unpublished stories, fragments, poems, and an essay. Also included are two poems and three fragments about a Co-Magnon character, “Am-ra of the Ta-an,” that pre-date the Kull stories. “Am-ra” becomes one the names Conan is known for in his stories as well the name of the Robert E. Howard fanzine that was published from 1959 to 1982. This volume is beautifully illustrated with black & white sketches and paintings by illustrator Justin Sweet. His sketches have a very pulp feel to them.
Kull is more brooding than Howard’s later creation Conan and while the stories have action, they’re much more philosophical, metaphysical, and dream-like. Patrice Louinet’s essay “Atlantean Genesis” does an excellent job of explaining the origins of the Kull character and how Howard transitioned to writing Conan tales.
Here are my reviews of the completed Kull tales.
Untitled Story (Eventually published as Exile of Atlantis)
This story is set before Kull becomes king of Valusia. It begins with Kull and two others (one of them named Am-ra) around a campfire and ends with them reaching their village to find a woman about to be burned at the stake. The discussion around the campfire and the decision Kull makes about the woman sets things up well for future stories where Kull has become King.
Rating: 4/4
The Shadow Kingdom
(Weird Tales, August 1929)
An ancient serpent race plots to overthrow Kull and the kingdom of Valusia. Although Picts are ancient enemies of Valusia, the Pictish Warrior Brule the Spear-Slayer warns Kull that there be an attempt on his life and works with him to uncover the conspiracy. Suspenseful. atmospheric, and action packed. This story is often described as the first sword & sorcery story.
Rating: 5/5
The Mirrors of Tuzun Thune
(Weird Tales, September 1929)
Weary of life at court, Kull visits a wizard said to know the secrets of life and death. After speaking with the wizard, he begins to spend more and more time staring into a mirror and he neglects his duties as king. Metaphysical with a contemplative Kull and a dream-like atmosphere.
Rating: 4/5
The Cat and the Skull
After Kull visits the talking cat of Delcardes, he goes on a journey to a city beneath a lake. A dark fairy tale with an explosive finale and we learn about Kull’s nemesis Thulsa Doom. I enjoyed it, even with an obvious revelation at the end.
Rating: 3/5
The Screaming Skull of Silence
Kull travels to a castle said to have “a spectre of silence" sealed inside long ago. Once there he breaks the seal and enters. Chaos ensues. This story had a very mythological feel to it.
Rating: 3/5
The Striking of the Gong
Kull encounters a mysterious entity and discusses the nature of eternal life and consciousness. One of the most metaphysical of the Kull stories which doesn’t wear out its welcome as it’s very short.
Rating: 4/5
The Altar and the Scorpion
An unnamed man prays to the altar of a scorpion to save him and his love from an evil priest. A very short story in which Kull doesn’t appear and is only briefly mentioned.
Rating: 2.5/5
The Curse of the Golden Skull
The wizard Rotath of Lemuria places a curse on his bones after he is mortally wounded by Kull. An explorer discovers the bones centuries later. A very short story known for the first mention of Shuma-Gorath, which later becomes a major cosmic entity in the Marvel Universe.
Rating: 3/5
‘
By This Axe I Rule!
The story begins with a young nobleman petitioning Kull to allow him to marry the love of his life, a slave girl. Kull would like to help but is powerless as the laws of Valusia forbid it. This is not the only time we see someone ask Kull for help with a marriage in which the kingdom’s laws or a family member stands in the way. Howard was thinking about this a lot it seems while working on the Kull stories.
This story is similar to “The Shadow Kingdom,” in that next Kull deals with a conspiracy to have him assassinated, but different in that there are no supernatural elements. The final showdown is action packed with Kull single handedly battling numerous opponents. I could imagine him taking out his frustrations on his would-be assassins as he swung his ax again and again.
This story was rejected but Howard didn’t give up. He re-wrote it by changing the Kull character to a new character and adding a sub-plot as well as supernatural elements. He retitled it “The Phoenix the Sword” and sold it to Weird Tales. The first Conan tale was born and history was made.
Rating: 4.5/5
Swords of the Purple Kingdom
After Kull and Brule discuss unrest in the kingdom, Kull listens to a young man asking for help in getting married (sound familiar?) as the young man’s father is against it. This is another tale with suspense and intrigue as Kull is eventually led into a trap that involves the young woman the man wants to marry. The battle that takes place during the finale at the top of a broken stairway is spectacular.
Rating: 4/5
Kings of the Night
(Weird Tales, November 1930)
A crossover story in which Kull is brought forward in time and space by a wizard to help another Howard character, Bran Mak Morn, King of the Picts, battle against an invasion of Roman legions. Kull joins a group of Norsemen in holding a pass against overwhelming odds in a battle that is even more spectacular than the one from the previous story.
Rating: 5/5
In Conclusion
I enjoyed reading the Kull stories and while I didn’t enjoy them as much as Solomon Kane and Conan, this was a fun and interesting read. I felt like I got a good look into Howard’s writing process. As I read more and more of this collection, I could see Howard figuring things out as he went. The Kull stories were a part of a learning process and steppingstones which allowed him to grow as a writer.
From the essay “Atlantean Genesis” by Patrice Louinet:
“The mixing of historical (or pseudo-historical) elements with elements of fantasy was nothing new; on the contrary it harked back to the very beginnings of literature. What Howard brought to the form was to modernize it, getting rid of the chivalrous aspects, flowery language, and stilted personalities, writing violent tales in a realistic style that reflected Howard’s environment and that of his readership. Critic George Knight once argued convincingly. ‘Because his most popular creations are his his fantasy tales, Howard is put into the category of ‘fantasy writer,’ yet...the most interesting aspect of his fiction is not the fantasy but the realism - a realism springing from Howard’s class, environment, beliefs, and the age in which he wrote.'"























