Wednesday, August 30, 2023

Books I Read in August 2023

Five books and two novellas this month. Tomato Cain, Danse Macabre, and An Hour Before Daylight are books that I started months ago and just got around to finishing. 



The Word for World is Forest by Ursula Le Guin (Gollanz, 2015) First published in 1972.


Captain Don Davidson is the captain of a logging camp on the planet Athshe, also called New Tahiti. The planet provides materials for Earth which has lost its natural resources. Many of the peaceful natives of the planet are conscripted as “voluntary workers” and used as slave labor. While Davidson and the other loggers look down on the natives, the scientist Raj Luybov has built a relationship with one of them. This allows him to learn their language and study how they use dreams for healing and making decisions. After years of stripping forests there’s a native uprising. 


Captain Davison isn't a very complex character and comes across as a one-dimensional villain, but his way of thinking and the excuses he makes to justify his actions seem pretty familiar these days. Although the themes of colonialism and deforestation were not very subtle, I was still drawn in by the writing and characters, including the inhabitants of the forest world. Winner of the 1973 Hugo Award for Best Novella.




Tomato Cain and Other Stories by Nigel Kneale (Comma Press, 2023) First published in the Uk in 1949 and in the US in 1950.


A few years ago I watched a video of a speech Ray Bradbury gave to aspiring writers. One of the things he did in the speech was to recommend short story authors to read. One of the authors mentioned was Nigel Kneale, known for creating and writing the Professor Quatermass serials and movies. At the time I watched the video his work was out of print. That changed in 2022 with a new edition of Tomato Cain and Other Stories. It includes a new introduction by Mark Gatiss and collects all the stories from the original US and UK editions, plus three previously uncollected stories. The third uncollected story was discovered after the new edition was published and is now included in later editions. 


The stories are a mix of character, ghost, and horror stories, some experimental, many set on the Isle of Man, many involving animals somehow, and most ending with a final twist. It’s an interesting variety; some are lighthearted and humorous while others are quite dark and sad. The stories reminded me of three of my favorite authors, Roald Dahl, Fredric Brown, and Ray Bradbury. As with most collections, I enjoyed some stories more than others, but I was never bored, and I got something out of all of them.




The White Lion by Scott Oden


In the city of Acre during the last days of the Crusades, sword for hire Tancred of Antioch aka The White Lion, seeks revenge after his friend is murdered. This fast-paced novella is filled with action and intrigue and reminded me of the historical fiction of Harold Lamb and Robert E. Howard. 


One thing I would have liked is a short afterword with some historical background information. The ones included at the end of Bernard Cornwell’s Richard Sharpe novels always add to my enjoyment of the books. In any case this novella has reawakened my interest in the history of the Crusades. This was a quick and enjoyable read. I’m looking forward to the further adventures of the White Lion.




Xenia in the Court of the Winds: A Tale of the Ancient World by Scott Oden 


In this novella, Odysseus and the Cyclops Polyphemus are written as if they were historical figures. A young boy befriends an injured Polyphemus and brings him to his king. The story explores the concepts of the outsider, the monster, the hero, as well as the custom of xenia, “guest friendship” in the ancient world. The writing has a lyrical quality and reminds me of the historical fiction of Mary Renault.




Deliverance by James Dickey (Delta, 1994) First published in 1970.


I never watched the film adaptation, but I was aware of some of the plot details since the movie is so well known. Four middle aged men from the city go on a canoe trip in a remote area of North Georgia. The tension builds slowly at first but then really ramps up as they wind up fighting for survival. 


I wasn’t expecting to like the writing as much as I did, and I didn’t realize that James Dickey was not only a poet but a Poet Laureate. It explains his prose, which captivated me from the start. When reading about the author I also learned that he was passionate about archery, guitar, and white-water canoeing, all of which he put to good use in this novel. 


There are times when the author uses long sentences and paragraphs. Although I usually don’t care for that, the sentences flow here. Dare I say it, the story and the prose carried me as if I were white water rafting, alternating between moving slowly and effortlessly to plunging headlong between dangerous rocks. While parts were a real page turner parts were also descriptive and reflective.


James Dickey also wrote the screenplay for the film adaptation which I watched the day after finishing the book. The film follows the novel very closely and the cast is perfect. The minor changes, the direction, the visuals, the soundtrack, all bring the movie to the next level.


Non-fiction:




Danse Macabre by Stephen King (Berkley, 1983) First published in 1981.


In Danse Macabre, Stephen King discusses horror fiction in film, radio, television, and in print, focusing on 1950 to 1980. The book begins with a couple of introductory chapters on the basics of horror and an autobiographical chapter. I found the chapter on radio fascinating and the chapters on television and books interesting, but I felt that the chapters on film dragged. Those chapters were a little too long winded for me.


King gives the plot details of the works he discusses and, in most cases, provides interesting analysis and insight. As he gives lots of spoilers, I skimmed the parts regarding movies and books I want to get to in the future. I thought it was a mostly fascinating overview of horror, but some may find it too detailed.


Full review here:

We Learn by Writing: Danse Macabre by Stephen King





An Hour Before Daylight: Memories of a Rural Boyhood
by Jimmy Carter (Simon & Schuster, 2001)

In this book former US President Jimmy Carter writes about his childhood on his family’s Depression-era farm in Plains, Georgia. Waking up before dawn he helped out with tasks from a very early age and graduated to more complicated jobs as he got older. From plowing fields to making sausage, there was always something that needed to be done. 


He also describes small town life, explores family dynamics, and discusses segregation. While many of the topics are serious, he throws in some very humorous anecdotes as well. It rambles at times, but he always brings it back to his parents and the other people in his life who influenced him. An inspiring read.


Next Month 


I haven’t been able to get into any of the YouTube reading events. I think I’m more of a mood reader so who knows what’s next. How is it almost September already?


Friday, August 11, 2023

Danse Macabre by Stephen King

 “But on another, more potent level, the work of horror really is a dance — a moving, rhythmic search. And what it’s looking for is a place where you, the viewer or the reader, live at your most primitive level.”

“This is the real danse macabre, I suspect: Those remarkable moments when the creator of a horror story is able to unite the conscious and subconscious mind with one potent idea.” — Stephen King from Danse Macabre 




In Danse Macabre, Stephen King discusses horror fiction in film, radio, television, and in print, focusing on 1950 to 1980. The book begins with a couple of introductory chapters on the basics of horror and an autobiographical chapter. I found the chapter on radio fascinating and the chapters on television and books interesting, but I felt that the chapters on film dragged. Those chapters were a little too long winded for me. 


Levels of Horror 


What I found most interesting were some of the concepts he discusses in the introductory chapters. Instead of trying to define horror he explains how the “genre exists on three more or less separate levels, each one a little less fine than the one before it.” The way he sees it, the finest emotion is terror, where we don’t actually see anything threatening or scary, next comes horror where we do see the threat, and finally revulsion, which goes for the gross out.


The Appeal of Horror 


I also found the reasons he gives for the appeal of horror interesting.


“The answer seems to be that we make up horrors to help us cope with the real ones. With the endless inventiveness of humankind, we grasp the very elements which are so divisive and destructive and try to turn them into tools — to dismantle themselves. The term catharsis is as old as Greek drama, and it has been used rather too glibly by some practitioners in my field to justify what they do, but it still has its limited uses here. The dream of horror is in itself an out-letting and a lancing…and it may well be that the mass-media dream of horror can sometimes become a nationwide analyst’s couch.” 


He adds:


“Horror appeals to us because it says, in a symbolic way, things we would be afraid to say right out straight, with the bark still on; it offers us a chance to exercise (that’s right; not exorcise but exercise) emotions which society demands we keep closely in hand.” 


Talent 


Although he titled his autobiographical chapter “An Annoying Autobiographical Pause,” I found it quite engaging, especially his comments on talent. He states that while having talent is important, it’s not enough just by itself. 


“I think writers are made, not born or created out of dreams or childhood trauma — that becoming a writer (or a painter, actor, director, dancer, and so on) is a direct result of conscious will. Of course there has to be some talent involved, but talent is a dreadfully cheap commodity, cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work and study; a constant process of honing.”


He goes on to say yes, there has to be some talent to begin with, but that what one does with that talent is the key:


“Refining talent is merely a matter of exercise. If you work out with weights for fifteen minutes a day over a course of ten years, you’re gonna get muscles. If you write for an hour and a half a day for ten years, you’re gonna turn into a good writer.” 


In Conclusion 


King gives the plot details of the works he discusses and, in most cases, provides interesting analysis and insight. As he gives lots of spoilers, I skimmed the parts regarding movies and books I want to get to in the future. I thought it was a mostly fascinating overview of horror, but some may find it too detailed. 


There are two appendices at the end. Appendix 1 lists about one hundred films and Appendix 2 lists about one hundred books. In the chapter on fiction, he focuses on the following ten books: 


Ghost Story by Peter Straub 

The House Next Door by Anne Rivers Siddons 

The Haunting of Hill House by Shirley Jackson 

Rosemary’s Baby by Ira Levin 

The Body Snatchers by Jack Finney 

Something Wicked This Way Comes by Ray Bradbury 

The Shrinking Man by Richard Matheson 

The Doll Who Ate His Mother by Ramsey Campbell 

The Fog by James Herbert 

Strange Wine by Harlan Ellison


I’ve read The Haunting of Hill House and Rosemary’s Baby and thought they were both excellent. I have Ghost Story, Something Wicked This Way Comes, The Shrinking Man, and Strange Wine on my shelf. I’ve added the others to my to-read list. 



Tuesday, August 1, 2023

July 2023 Camp NaNoWriMo

 “Show up, show up, show up, and after a while the muse shows up, too.”

— Isabel Allende 




I participated in Camp NaNoWriMo for the first-time last month. It’s a less intense version of November’s National Novel Writing Month challenge as you can set your own word count. I’ve participated in the November challenge a few times, but I never actually attempted to write a novel in thirty days. I used the challenge as a way to try and finish short stories. Even so, it still felt intense. Setting a low word count took a lot of the stress away. For this project I wrote a western short story. 


I started off strong, then quickly slowed down, figured some things out, and then got back into the groove. I passed the word count goal earlier than expected, and I was able to finish the story by the end of the month. As my other projects weren’t novels, this was my first time officially finishing a NaNoWriMo project. It was great to get a winner badge (see above) and certificate (see below) when you finish. It felt pretty good.


As the story is a first draft, technically it isn’t finished yet. But it has a beginning, middle, and end, and that feels pretty good. Now to get it into shape. 








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