Three books and one large volume of manga this month.
The Orchard Keeper by Cormac McCarthy. (Vintage International, 1993. First published in 1965 by Random House)
Cormac McCarthy’s first published book is about the lives of three people in a rural community in the mountains of Tennessee who are linked by an act of violence. There are some absolutely beautiful descriptions but overall, it was a challenging read. Especially in the first half, many passages just go on for too long with the use of vocabulary becoming overwhelming. Add in that it’s often not immediately clear who the point-of-view character is or who is speaking during conversations. All these things contributed to making the narrative difficult to follow. Things became a little clearer in the second half but the plot, what little of it there was, felt pretty unfocused. I still plan on reading more McCarthy though, as from the reviews I’ve read it only gets better from here.
Clown in a Cornfield by Adam Cesare (HarperCollins, 2020)
What’s worse than moving to a small town and having to make new friends? Moving to a small town with a killer clown. The first 100 pages set things up well and then the mayhem begins. Like an 80s teen slasher movie with likable characters, an engaging story, and some biting social commentary. Although I guessed part of the mystery early on, there were still plenty of surprises throughout. This was a fun read and exactly what I needed after struggling through the McCarthy book. Looking forward to the film adaptation.
After the People Lights Have Gone Off: Stories by Stephen Graham Jones (Open Road Media, 2024. Originally published in 2014 by Dark House Press)
I’ve been a fan of horror author Stephen Graham Jones ever since reading his novellas Mapping the Interior and Night of the Mannequins, so I grabbed this collection of short stories when I saw it in my local Barnes & Noble. I got halfway through when I realized that I already had a copy on my Kindle. Oh well!
While the stories are short, quick reads, and each one is quite creative, some of them were just too ambiguous for me. On the other hand, I was still thinking about some of those stories afterwards and I enjoyed the writing in all of them. I also enjoyed reading the afterward, in which Jones discusses how each story came about. Reading this collection reminded me that I have a few of his novels that I still need to get to.
The Legend of Kamui by Shirato Sanpei. Translated by Richard Rubinger. (Drawn and Quarterly, 2025)
History, class struggle, and discrimination in feudal Japan. Originally serialized in the monthly gekiga (a style of manga that emerged in the 60s/70s with more mature themes) magazine Garo between 1964 and 1971, Legend of Kamui tells the story of a young outcast as well as other characters struggling to survive. Kamui will eventually become a ninja but this 600 plus page volume is mostly set up for that. It’s a blend of adventure and social commentary with historical notes and comments from the author spread throughout. I loved the art, which is a mix of old school cartoony art in the Osamu Tezuka style and the more detailed modern style. The story is told at a very leisurely pace, but the reader’s patience is rewarded as things gradually come together. As this is volume one of a planned ten volumes, the story is just getting started.