I didn’t get much reading done this month as I watched so many movies for Noirvember. I have been reading but I just haven’t finished much. So here are quick reviews of the eight films I watched. The first two were re-watches while the rest were all new to me.
Something that added to my enjoyment of these films was watching the intros and outros that author and noir scholar Eddie Muller did for them for Noir Alley on Turner Classic Movies. They're currently available on YouTube. The information he shares is well researched and insightful.
This Gun for Hire (1942)
Directed by Frank Tuttle
Starring Alan Ladd, Veronica Lake, Robert Preston, and Laird Cregar
A killer-for-hire seeks revenge after he’s double crossed. Adapted from the book by Grahame Green.
Alan Ladd is so cool, Laird Cregar is so creepy, and Veronica Lake is so alluring. One of the first film noirs that I ever watched from back in my DVD collecting days. I’ve been a Veronica Lake fan ever since. Two negatives: I rolled my eyes at the closing line, and it feels like whoever chose the end credits music must not have watched the film.
Rating: 4/5
Laura (1944)
Directed by Otto Preminger
Starring Dana Andrews, Gene Tierney, Clifton Webb, and Vincent Price
A police detective falls in love with the woman whose murder he’s investigating.
I first watched this many, many years ago not knowing much about noir and knowing nothing about the plot, and it made a big impression on me. Part noir, part mystery, and part soap opera. Somehow it works. Probably because it has a great cast, a superb twist, and some really sharp dialogue. It was cool to see a very young Vincent Price.
Rating: 5/5
Gilda (1946)
Directed by Charles Vidor
Starring Glenn Ford, Rita Hayworth, and George Macready
A gambler runs into his old flame, but she’s now married to his new boss.
My first Rita Hayworth film. They named an atomic bomb “Gilda,” after Rita Hayworth's character from this film? (Watches Gilda) Of course they did. (Reads that she was highly offended) I love this woman. The double entendres fly fast and furious in this incredibly intense noir love triangle that mixes sexy dance numbers with dialogue so sharp at times that it will make you bleed. While I thought the ending worked, it keeps the film from getting a 5/5 score from me.
Rating: 4.5/5
Force of Evil (1948)
Directed by Abraham Polonsky
Starring John Garfield and Beatrice Pearson
A lawyer helping a gangster consolidate a numbers racket runs into trouble when his brother, a small-time numbers operator, doesn’t want to get involved.
Director Martin Scorsese calls this film a strong influence on his gangster films, and I can see why. A statement on greed and ruthless ambition that holds up extremely well today. Some poetic dialogue and lots of atmospheric cinematography from George Barnes who worked on Hitchcock's Rebecca (1940) and Spellbound (1945), featuring New York skylines and sets that go from fully lit to shadow filled as the film progresses and the story gets darker. It’s all very well done, it’s just not that exciting until the end.
Rating: 3/5
Sunset Boulevard (1950)
Directed by Billy Wilder
Starring William Holden, Gloria Swanson, and Erich von Stroheim
A down on his luck screenwriter gets roped into writing a screenplay for an eccentric former silent film star and soon finds himself in over his head.
Engaging narration and witty dialogue with excellent performances from a perfect cast. Movie magic.
“All right Mr. DeMille, I'm ready for my closeup.”
Rating: 5/5
The Woman in the Window (1944)
Directed by Fritz Lang
Starring Edward G. Robinson, Joan Bennett, and Dan Duryea
A seductive woman gets a professor mixed up in murder.
I loved the cast. Edward G. Robinson was good, but Joan Bennett and Dan Duryea were fantastic. It was really interesting to see a young Joan Bennett, who I only knew from her role in my favorite horror movie, Dario Argento’s Suspiria (1977). Excellent direction and cinematography. On the other hand, the missteps from Edward G. Robinson’s character went from understandable to laughable, and don’t get me started on that cop out of an ending.
Rating: 2.5/5
Double Indemnity (1944)
Directed by Billy Wilder
Starring Fred MacMurry, Barbara Stanwyck, and Edward G. Robinson
An insurance salesman and a seductive housewife plot to kill her husband and collect the insurance. Based on the book by James M. Cain. Crime author Raymond Chandler, who co-wrote the film script with Billy Wilder, has a cameo.
This adaptation of James M. Cain’s book takes it to the next level with the cast, the visuals, the soundtrack, and the dialogue. Such great chemistry between Fred MacMurray and Barbara Stanwick, and Edward G. Robinson is on fire in every scene he appears in. I can see why Eddie Muller describes this as the definitive film noir. Not a fan of Stanwyck’s wig though. I understand what it’s supposed to represent but it pulled me out of scenes more often than not.
Rating: 5/5
Scarlet Street (1945)
Directed by Fritz Lang
Starring Edward G. Robinson, Joan Bennett, and Dan Duryea
A seductive woman and her criminal boyfriend take advantage of a middle-aged man who paints in his free time and who is suffering a mid-life crisis.
The same director and cast were a misfire for me in The Woman in the Window. But here on Scarlet Street? Chef’s kiss. This is the noir I’m looking for.
“They’ll be masterpieces.”
Rating: 5/5
Whew. I think I’ll slow down on movies and try to get more reading done next month. As always though, we’ll see.
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